Your mixer channel is now sidechain adjust the above parameter as desired. Change the Threshold to half, max the KNEE and RATIO, and reduce the RELEASE. Open the FL limiter and in the COMP tab change your sidechain parameter to 1. For example, increasing the “Vel” option will bring the velocities of the all the MIDI notes closer to the central point. Right-click the send switch on the mixer channel with the FL Limiter. These can be used to quantize other MIDI parameters. There are a few other options at the bottom of the window, such as “Pan” and “Vel”. Sensitivity: This actually functions fairly similarly and measures how sensitive the notes will be to “snapping” into place.ĭuration: This can be used to shorten down notes and quantize the end times of your selected MIDI pattern. If this is fully selected, all the notes will start directly on the red lines.
Start time: This alters the strength of how much your notes start times “snap” to the red lines.
You can experiment with different options here, and each pattern will change the groove / swing of the MIDI notes.īelow the template selector, you have various adjustable knobs: By clicking the folder next to the template box you can choose various quantize patterns such as 16_Drummer_Swing and 8_hiphop. Click Quantize… as shown above, this will bring up a small pop-up window, as well as vertical red lines along the piano roll view.Īt the top of the quantize settings window, it should say Default. I hope I could help you.Let’s look at the quantize settings in a little more detail. After that open the Limiter, click on COMP and select Input 1 via right-click under Sidechain.Ĭhange the threshhold, ratio, knee, attack and release to your liking and your signal will now get sidechained and everything is fine. Now connect the original sound to the top one and your sidechaining audio to the lower one. Right-click the Limiter -> Inputs -> Audio -> Add oneĪfter this a second input will appear.
If you connect both to the input you get a mess of both sounds getting limited. (captain obvious) But there is no way you can connect two signals to that. When you add a Fruity Limiter to the Patcher plugin you see that it has just one audio input and one audio output great for using it as a limiter. This should sound familiar to you otherwise look it up on the internet. Inside FL sidechaining is solved with routing a track without sound into another mixertrack with the Fruity Limiter plugin set to sidechaining. If you are working inside the Patcher with a set of different effects you may come to the point where you need to sidechain an audio signal. The concept behind it is familiar from other software like the Node Editor in Blender. The Patcher is a great tool for avoiding to use a ton of mixertracks solely for creating that one perfect sound.
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